Great Masters of Karnatic music

-Dr. Mysore Manjunath and BC Manjunath (28-29/11/2016)

-November 2013: Symposium Karnatic rhythmical structures video 1: Dr. Mysore Manjunath and BC Manjunath  in tala 40

-Symposium Karnatic rhythmical structures video 2: Dr. Mysore Manjunath and BC Manjunath: ragamalika
 
-Pallavi demonstrations Darbar Festival. Dr. Manda Sudha Rani

-Pallavi by ‘Classic combo’ at Parthasarathy Swami Sabha (14')

-Jahnavi Jayaprakash & B.C. Manjunath 2001 at the Amsterdam Conservatory

-Special Pallavi concert by Sandeep Narayan w/ Prati Shatis (51,50')

-Special Pallavi by Bharat Sundar at Parthasarathy Swami Sabha (53')

-Darbar Pallavi by S. Mahati & Patri Shatis (51,30)

-Instrumental Special Pallavi by Nagai Sriram (Flute) & Violin & Nagaswaram (32,05')

-Pallavi by Vidushi Sriranjani Santhanagopalan (39,40')

-Kunnakudi M. Balamuralikrishna concert (29,30')

-Seshagopalan Pallavi in tala 9

-Akkarai sisters pallavi with 3 different gatis in DD (47')

-Pallavi by Amritha Venkatesh (43')

-Konakkol Duo w/ 2-layers and counterpoint (Manjunath & Somashekar)

-Short lecture demonstration Palghat Raghu (taniavartana)

-Short lecture demonstration Palghat Raghu (tani c’ed)

-Percussion group w/ Karaikkuddi Mani

-Karaikkudi Mani and Harishankar 1

-Karaikkudi Mani and Harishankar 2

-Karaikkudi & V. Suresh

-Karaikkudi & Sri Suresh

-Tribute to Mani Iyer (Karaikkudi Mani trio)

-Karaikkudi impressive 4tet


-Tavil, Mridangam & Ghatam in Misra chapu

-Vikku Vynyakram (gatham) against voice & kanjeera

-Vynyakram & voice & kanjeera w/ many ghatams

-Vynyakram (many ghatams), Mridangam, solkattu & kanjeera

-Somashekar in Tala prastara 5222 52 52 (25 b)

-Somashekar & R. Khartik konnakkol duo

-Prati Sathis Kumar w/ 3 perc

-Prati Sathis Kumar w/ gatham & voice

-Prati Sathis Kumar w/ gatham

-Mahesh Raghvan trio in 5+1/2

-Karaikkudi long solo

Manju Facebook/youtube recordings: Experimental talas or concepts explored with konakkol

-Short lecture demonstration in Nadai Bhedam

-Tala 11 w- counterpoint

-Tala 56

-Misra in diff Combinations Anuloma-Pratiloma

-Tala 130 beats

-Sankirna

-Mukthays in 3 gatis

-70/16 (2 talas in diff hands)

-'Just crazy' (phrasing through gati changes)

-75/16

-Unisone w/ drums

-Dance enthusiasts

-Konakkol lesson

-Buleria

-Inspired by crazy folk perc

-Duo w/ 2-layers and counterpoint

-Same duo longer version

-182/16!!

-182 extended  w/ mridangam

-Raga India

-From 5:4 to 45:4

-Tirmanas

-Misra gati improv

-3-fold mukthay in 5 gatis

-Short misra gati w/ solkattu and mridangam

-Subtle moving from simplicity to complexity in different ways of tala 17

-Transposing grooves w/ metrical modulation

-Sextuplets in 35/8 (2 talas at the same time)

-Percussion group with rupaka tala

-Trio Manju, Vajarishree & Guru Prasana

-Improve pulse & timing

-Extremely complex with simple numbers (starts in minute 2)

-Improv on Aka Moon piece on 15/8

-Manju with another mridangan player in London

-Educational Manju’s video (long), how to create variations

-Variations on 123 1234 with 2 voices

-Jathis kalpana for Akram Khan

-Manju solo in Bangalore festival

-Manju creating ‘reverb effect’ without reverb

-In 25 aksharas in 5/4 + 5/16

-Improv in khanda going to 15:2

 -Crazy tala 300 aksharas!!!!

-Misra & Khanda chapu at the same time in 2 hands

-Incredible exercises in tala 8+1/2 (warm up exercises start in min 1,30). Tala 8+1/2 starts in minute 8

-Complex elaboration of mukthays:

- 9 gatis/speeds

-Improvisation in khanda

-Same phrases in 3 different gatis

-Tala 9/16+7/16+5/16+3/16

-Manju & Somashekar going through gati changes

-Manju & another perc going through all gatis preceded by corresponding jathi

-Manju & drummer phrasing in khanda, chatusra & tisra with transcription